#and epic action
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corrodedbisexual · 1 year ago
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I AM FREE 😭😭😭😭😭
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botanicallyinclinednerd · 4 months ago
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If I had a nickel for every time Odysseus's crew experienced a mass casualty event due to killing an animal friend of a being with a powerful Godly father, and that God showing up to teach Odysseus a lesson of some kind before decimating his crew, I'd have two nickels. Which isn't a lot, but holy shit is it unfortunate for the crew that it happened twice
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ryssbelle · 11 months ago
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Made this for the lu prompt, a joke that's a little late but nonetheless funny to me XD also the features are flipped cuz I worked on this mirrored and forgor until I was finished lmao
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dapper-lil-arts · 6 months ago
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where my blog stands o7
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sera8273 · 2 months ago
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Gods…are immortal…
“ATHENA!”
Gods…were powerful….
“Oh to the fates above! Is she dead?!”
So why…why…..
“Why is she Bleeding Red!?”
It wasn’t possible to kill a God…
“D-don’t worry! We can fix this!”
He tried with Calypso and other banished Gods but they did not die….
“WHAT DID YOU DO!?”
He didn’t….
“Shit shit-SHIT! ATHENA-“
Maybe it was because she bled red…
“FUCK! APOLLO! SHES BLEEDING REALLY BAD!”
Maybe it was because she showed humanity…
“IM TRYING MY-I, I DONT DO WELL UNDER PRESSURE!”
Athena. His precious, golden daughter….
“WHAT DID YOU- WHY! ZEUS! YOU-“
Oh to the fates above….
“What have I done?”
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hauntingofhouses · 11 months ago
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Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.
So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.
DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.
Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.
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But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."
In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.
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When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.
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So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.
Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.
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And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."
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But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.
He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.
*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.
Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.
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Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.
Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."
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This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.
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Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:
"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."
(no screenshot because it's quite a long line but you get it)
Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.
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Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.
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But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.
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Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:
"I thought you had to be something special. Your face isn't even so scary. You're just... angry."
At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")
The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.
That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.
By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.
Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.
But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.
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"I want to be great."
This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.
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NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.
First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:
Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;
Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.
These are thus two directly contrasting, diverging journeys:
Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.
Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.
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Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.
Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.
Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.
In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.
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Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.
(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)
And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.
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Let's talk about Option A: Akemi.
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As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.
Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.
With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.
Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!
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Then, of course, we have Option B: Taigen.
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Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.
Therefore, Taigen has very few options here.
And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.
Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.
Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.
While Akemi is red and Mizu is blue, Taigen is green.
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Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.
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Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.
By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.
It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.
Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.
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The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.
Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.
But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.
Or hey, maybe they could both make their own dojo together! I don't know.
(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)
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Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.
In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.
Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.
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And finally, there's Option D: Polyamory.
This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!
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AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)
Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.
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scuorge101 · 1 month ago
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Polites and Eurylochus design updates
Polites didn’t change much but I wasn’t liking how I drew Eurylochus so I basically gave him more facial hair lol with Polites I changed the location of his headband cause I feel like you couldn’t see it before.
I drew Odysseus too but I really don’t like how I drew him so Ima try again.
Also a note about the flower: Polites gets it from the lotus eaters so this is him right after they leave the island.
During the war he has no flower just headband.
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dkmbookworm · 2 months ago
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The more I think about it, it really isn’t out of the realm of possibility for Odysseus to say he loves calypso. Victims of abuse can still end up loving their abusers to a degree. Even if it doesn’t always make sense. Because there were likely moments where they were able to talk and bond. When he was going through a bad day with his thoughts and she helped him get out of it. It doesn’t mean that he forgives her for holding him hostage and keeping him from his family. But he only had her in that time when he’s at his lowest point.
I think at times that the fandom can underplay how much just being on the island is a torture in of itself. Even without calypso there. It represents a point where he is left only to his own thoughts. To replaying every single mistake, every selfish decision. Thinking through a million and one what ifs that could have kept them alive. Thinking of the 600 families out there that won’t get to see their men come home. Thinking of everything he did to get home only to be here. Like really think about how much that is running through his head, every second of every day. And the only person who you can talk to, who could take your mind off of those thoughts for even a second. Is your captor
“I’m not sorry for loving you” shows that Odysseus doesn’t truly get the satisfaction of being able to hate her. He likely even pities her or cares for her despite what she’s done
He does see her as a friend because of the circumstances they exist in.
He isn’t going to only remember the bad times. He will remember moments on the beach looking at the stars. Learning about her in those conversations. Maybe even finding her funny or charming. Moments of respite from the well of misery that he’s drowning under every single day.
And that’s the worst part of when you see the person hurting you as a person. And he is a monster, so who is he to judge. He has done horrible things in the pursuit of love, and maybe he can recognize that kinship in her.
Don’t forget about how “Monster” shows Odysseus finally going down that path of realization. Rather than it simply stating” I’ll be as brutal as any of my foes”. It starts with him humanizing them.
Is the cyclops struck with guilt when he kills, is he up in the middle of the night
Or does he end my men to defend his friend and then sleep knowing he has done them right
When the witch turns men to pigs to protect her nymphs is she going insane
Or did she learn to be colder when she got older and now she saves them the pain
We can see that Odysseus is able to give a strange level of empathy and understanding to his enemies while he becomes a monster. And there’s nothing to say he wouldn’t do the same with Calypso.
She is a lonely, isolated woman who has been imprisoned on this island longer than he can comprehend. Someone deeply naive and emotionally stunted from her life on the island. Desperate for love and companionship that he is unable and unwilling to give her.
Is it right? Absolutely the hell not. And as detailed in a previous post, still deeply insidious in the long term.
But this is Odysseus after he had sacrificed 6 men to get home, and then the remaining 36 after. Where he is constantly weighed down by those actions and seeing what becomes of someone who chooses to be a monster. To try and play the gods games and fail terribly.
They’re simply two monsters trapped together
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livehorses · 3 months ago
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I'm just going to leave this here.
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heartofwolfe · 12 days ago
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Getting into arguments on tiktok to defend Eurylochus is doing so much damage to my reputation. I am simply passionate about this story. I'm a lesbian. I'd never ride this hard for a man. Can someone say something dumb about Athena's character so I can talk about a cool Goddess instead of Mm Humgry msn
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sleeping-at-sea · 2 months ago
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What… happens to Odysseus after The Odyssey/EPIC??
Do you think he has like PTSD, Survivors guilt and like various other mental disorders and shit after all that
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botanicallyinclinednerd · 6 months ago
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Something I adore about this saga is how the songs all end with such powerful and forceful singing. It almost feels like Odysseus is trying to drown out the screams he hears by being louder with his own pain and convictions
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duck-duck-catto · 3 days ago
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so this is kinda directly taken from @theacheronsystem , but like Poseidon really isn’t nearly as horrible as he’s made out to be. like odysseus actions were justified against him, but if something happened to Telemachus odysseus would be doing the same exact thing as Poseidon.
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stupendouspaintblob · 20 days ago
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On the topic of fatal flaws and epic the musical:
I have been giving this a lot of thought lately, and this is what is going on. Epic Odysseus' fatal flaw is not necessarily the same as Homer's, obviously. Homer Odysseus does not go through the same character arc, and his flaw is hubris. Makes sense. Some people do characterize him with the flaw of curiosity or heroism, but honestly, in the ten year journey where he changes the most, hubris fits best. However, epic Odysseus is different. The biggest example of Homer Odysseus’ pride is the cyclops' island. However, his anger is further justified in epic by the death of his best friend, as well as bitterness and the spur of the moment, reckless decision in order to prove Athena wrong after being antagonised, getting abandoned and yelled at by his mentor in one of the worst moments of his life. The common fatal flaws of greek heroes are hubris, arrogance and loyalty among others. For epic, i entertained several flaws before landing on arrogance; the sheer confidence with which he approaches Aeolus, certain in his own abilities to convince the god to help them. He is arrogant with Athena in their song, and increasingly so with Eurylochus throughout the musical. Due to his love for Penelope and Telemachus, loyalty, especially when interacting with Circe and Calypso struck out, but anyone who knows the bare bones of the plot might argue in favour of arrogance.
For Eurylochus, it was somehow more difficult to chategorise. Homer' Eurylochus has the usual flaws; greed, arrogance, at least from what I can gather. But I read someone say that Epic Eurylochus' fatal flaw is, in fact, hunger. That makes so much sense, given how he is always the one to bring up food, or the lack thereof, as well as the fact that he literally killed Helios' cows due to his hunger and subsequently got everybody killed, BUT, what is he hungry for in his daily life? It can't just be food that is his weakness, obviously, but then what? Friendship, love, family, validation? Bottom line: I don't know. I could go one even longer about his arc throughout the musical and dissect each moment to figure out his flaws and talk about him in general because I adore his character, even if he is not necessarily a good person and though he makes too many mistakes because he is human and so inherently flawed, but I won't because this post is long enough as it is.
Polites was pretty straightforward; optimism. But, was it really? Indirectly, sure. His optimism, naïveté, led to his death. But at the end of the day, I think it might be his loyalty, maybe trust, that was his demise. I mean, the entire song, he's trying to convince Odysseus about open arms. He believes the winions, hell, it was his insistence out of concern for his friends that was, in the end, the thing that caused his death.
Then again, there isn't much difference between optimism and trust in both cases, so anything works.
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kairaloi · 2 months ago
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"What did it look like before you cleaned?" he asked.
Reed went to the windows. They were dusty and undisturbed.
"Well… His Highness's hairpin was on the floor. But that's it," Marigold said. She pulled her apron between her hands, starting to get nervous with Patrick and Reed’s serious tone.
"Hard to make a mess when he's the only thing in here," Patrick admitted as he turned slowly, looking around the room as well. “Has anyone else been to see him this morning?”
“No. Everyone’s busy getting ready for dinner tonight,” Marigold said.
“How long was he alone in here?” Patrick asked, pulling out a notebook to start writing her answers.
“Eh…” she shifted nervously. “We’ve left him alone before. Why is it suddenly a problem?”
Reed knelt to look at the floor. Patrick was a good investigator, but some things he just wasn’t going to think to look for. Although Reed wasn't sure what he was looking for either. Circles of salt? Candle wax? Mythiric was a world that had a rich history of magic and swords that could cut stone, but all that was in the past. They’d lost the knowledge about two thousand years prior when the first queen of Durshand had purged the corrupt priests of some demon religion. His history lessons had been over five years ago and his disappointment that he couldn’t sling fireballs or summon monsters as pets had caused him to lose interest.
“It’s not a problem,” Patrick assured. “We’re just… looking into something.”
Marigold fidgeted. "Reed? What are you doing?"
"I'd say it was witchcraft, but y'all ain't got that here." He got up, dusting his hands and pants. Ten years he'd been in this world, and all that time he'd thought soullessness was just this low-technology world's way of describing birth defects. Boy, was I wrong… Apparently, inert lumps of flesh can spontaneously become complete assholes.
"What?"
"Never mind," Reed said in English, then waved it off. Correcting to Durrish, he asked, “Can you answer the question, Marigold?”
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seaglassdinosaur · 6 months ago
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What’s so interesting to me about Odysseus’s transition in Monster is that he hasn’t changed all that much. He was always capable of violence and we know that because of everything he’s done in the war and in his journey. The only change that occurs is he’s chosen to no longer feel guilty, and to stop hesitating when it comes to violence.
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